BMW hopes new ‘sonic branding’ will boost recall

German automaker BMW’s new sound logo will be played at the end of television and radio spots in the hope of further engaging consumers through sound recognition value.

“Acoustic elements are an important aspect of the BMW brand appearance,” says Joachim H Blickhäuser, head of corporate and brand identity at BMW Group, Munich.

“As part of the evolution of the acoustic branding, BMW replaces the ‘double gong’ with a new sound logo, which gives the brand a distinctive modern, aesthetic and dynamic recognition factor and can be used in many different ways worldwide,” he told LuxuryDaily.

BMW has used its ‘double gong’ sound for the past 14 years, but wished to modernise its approach. Sound designer Thomas Kisser of Hastings music media helped BMW realise its sonic vision.

Listen out at the 57-second mark of this spot:

“One of the biggest problems in advertising today is the low association scores that many TV commercials receive,” says Al Ries, founder and chairman of Ries & Ries, a Roswell, GA-based marketing strategy consultancy.

“Many consumers remember a commercial, yet do not associate the commercial with the name of the advertiser… a signature sound or a sound logo can help increase the association scores of BMW commercials,” he adds.

Although it may not be noticeable to consumers, music and sounds can be especially memorable overall. Beethoven’s Symphony No. 5 is used as the example by Ries when discussing the BMW sound branding move.

“It certainly is possible to create a sound that is strikingly memorable… take the first four notes of this melody – every musician and most consumers can instantly relate to these notes,” he says.

 

Compact won’t stop decline: Fairfax unveils strategy behind print overhaul

BMW will be the official sponsor for the launch of The Sydney Morning Herald and The Age compact editions, which Fairfax does not expect will arrest print declines long term.

Revealing copies of the new compacts to the media for the first time this morning, Fairfax said it expects an initial uplift following the new format’s launch on 4 March, but its strategy is not based around long-term circulation gains.

“There will definitely be an increase particularly at launch,” commercial director for Fairfax Metro Media, Ed Harrison, said. “Whether or not it gives us a huge sustained lift we will have to wait and see… Our strategy is not based around significant long-term gains in circulation.”

The move from broadsheet to compact is a well-trodden path among publishers globally, having played out in the UK and US some time ago. Fairfax moved its New Zealand Herald from a broadsheet to compact in September last year, resulting in a 30% improvement in sales in the first week, before tailing off to between 2% to 5% above its broadsheet figures.

Fairfax will also introduce new sections to the papers, redesign the homepages of their websites and simplify its rate card for advertisers, although ad rates will stay the same.

Director of advertising strategy, Sarah Keith, said extensive neuro-testing and eye tracking studies had been conducted on the new formats, revealing engagement with the content had improved 22% while eye gaze on ads was up 50%.

“When people purchase from us they purchase the environment, and that remains strong,” Keith said.

The resdesign will see sport placed at the back of the paper, business placed in a self-contained section that can be lifted out of the middle and new sections ‘Pulse’, a health and wellbeing section, and ‘The Shortlist’, an expanded entertainment guide, join the existing content streams. Fairfax stressed the tone and commitment to quality journalism will not change, even though the 10% jump in font size will mean shorter stories.

Redesigned homepages for the masthead’s websites will also be rolled out a day prior to the compact’s launch, focussed on reducing clutter and making mobile sites more ‘finger friendly’.

The change marks a rejuvenation of the brands across all platforms, chief product officer Sigrid Kirk said. “Fundamentally it’s about modernising our site… we’ve tried to make it more user friendly for multiple screens and devices,” Kirk said. “You’ll find that there’s more white space making it fundamentally more tablet friendly.”

The new design will also feature elements of personalisation, zeitgeist style content, more prominence to associated properties, such as women’s network the Daily Life, and highly shared and commented on content, in what is the first major revamp for the mastheads’ online destinations in several years.

It was revealed a 20% increase in referrals through social media had been noticed since social media editors were hired for each masthead during last year’s newsroom restructure.

“We’re thrilled from the response we’ve had from our readers on this,” Kirk added. “We’re not just launching a newspaper in a new smaller shape, we’re launching a fundamentally better product.”

BMW’s sponsorship of the launch, which promotes its X1 compact SUV, will see the brand ‘metroblock’ the Herald and Age for the day across print, website, mobile and tablet.

 

Toyota retains best ‘green’ brand crown, Aus brands absent

Toyota, Johnson & Johnson and Honda are the greenest brands in the world, according to Interbrand’s ‘Best Global Green Brands 2012’ report, while no Australian brands rated among the top 50 for green credentials.

The report, which uses consumer research and environmental practice performance data provided by Deloitte to arrive at its conclusions, found that most industries around the world are taking steps to sustainability and their degree of external reporting, with automotive and technology brands leading the pack.

Global CEO of Interbrand, Jez Frampton says sustainability is now proving to be a strategic and profitable aspect of business and a brand-strengthening asset. “It is crucial that consumers’ impressions of a brand are in close alignment with that brand’s actual environmental performance. Otherwise, a brand’s efforts in this area could serve as an under-utilised asset, or, conversely, suffer due to accusations of ‘greenwashing.’”

Toyota maintains the number one spot in the rankings this year. The manufacturer’s original Prius model, the primary launch pad for Toyota’s green image, has recently been expanded to encompass an entire family of sustainable automobiles, including the company’s first plug‐in model.

Seven other automotive brands appear in this year’s top 50, with three more ranking in the top 10 – Honda, in third spot, Volkswagen in fourth and BMW in tenth. Ford (15th), Mercedes‐Benz (16th), Hyundai (17th), and Nissan (21th) also performed well. Investment in developing and marketing fuel-efficient and alternative fuel vehicles appears to be paying off for the auto sector, which made gains both in terms of performance and consumer perceptions for their green practices.

Leading technology brands are also spearheading efforts to reduce their environmental impact. Panasonic jumped four spots this year to sixth position on the back of a range of energy management systems, including the conversion of a former factory site in Fujisawa near Tokyo into a ‘Sustainable Smart Town’.

green brands

The top risers on this year’s list included Danone, Ford, Starbucks, and UPS. FMCG brand Danone, ranked ninth, improved its green credentials by committing to reducing its carbon footprint by 30% by the end of 2012. Ford, in 15th spot, made significant improvement in its environmental performance around both its operations, as well as its approach to transparent engagement and disclosure on its activities and its environmental impact. Starbucks (36th) and UPS (43rd) improved their overall ranking the most in this year’s report, both moving up six spots from where they ranked in 2011.

The United States, Germany and Japan emerged as the homes of the most green brands.  This year’s list included 22 brands manufactured and managed in the United States, including Johnson & Johnson (2nd), Hewlett‐Packard (5th), Dell (7th), Cisco (11th), and 3M (12th). Japan and Germany each produced seven of the top 50, thanks to their technology and automotive success.

 

BMW’s direct mail fail

BMW have taken the unprecedented step this week of executing a direct mail piece to potential new customers explaining that they are in fact, not shit.

Further to that communication, when questioned, Piers Scott, a spokesman for the company, even made the bold statement that he was going to leave it to the industry to determine whether the plan to position the brand as ‘not shit’ was going to backfire.

You could imagine that this was a strategic mail-out in response to a consumer study carried out by a diligent marketing department, but no. The plan was compiled on a bit of a gut instinct. A sneaking suspicion that a lot of customers thought they weren’t actually a premium car brand, but were in fact, crap.

There’s been many instances of brands going to the market to either correct a consumer perception, or highlight an area that their buyers perhaps weren’t fully aware of, but to roll the dice and plead for your potential customers to ignore suspect word of mouth from trusted close friends, colleagues and family is brave. I mean, what does your BMW-driving best mate really know about driving a BMW? It’s obvious he has no idea. Surely a letter and a nice flyer in the post will stop his mate listening to him?

BMW saw an opportunity and took it. With both hands. And probably their feet too. With rumours that the BMW fuel consumption rivalled that of NASA’s, it was time to set the record straight. Scott admitted there are more fuel efficient cars on the market – like anything without a BMW badge – but pointed out it all depended on how they were driven. You could almost hear BMW pleading for owners of their sporty sedans to not drive them so irresponsibly: “55kph people! 55KPH!!!”

You can perhaps understand the need to dispel the fuel efficiency rumour, but BMW went one step further. Well, actually, five steps further as the direct mail piece was entitled ‘Six Popular Misconceptions About BMW.’ That’s a facepalm moment all of its own. It seemed that ‘Six Misconceptions About BMW’ wasn’t enough to hammer the nail into the coffin. They had to add the word ‘popular’ to really emphasise how many people were spreading these scandalous lies.

Brilliant quote follows brilliant quote from Mr Scott, who must have struggled to contain himself when replying to Drive writer Joshua Dowling’s questions:

“I would suggest it’s a way of allaying potential concerns that your service and after-sales experience would be a costly or inconvenient one when the opposite is true.”

So there was concern in the marketplace that your brand delivered costly or inconvenient servicing? So you’re simply going to write to us and explain that this isn’t so, and everything’s going to be A-OK? Surely the best way of demonstrating that servicing isn’t costly or inconvenient is to not be costly or inconvenient to existing BMW drivers? Clearly you are, otherwise none of this would be necessary.

“Misconceptions apply to any premium marque,” Scott says. “One thing we do find about our vehicles is the misconception about fuel economy … we are the most sustainable car company according to the Dow Jones Sustainability Index.”

As tenuous links go, this is a corker. Sure, the DJSI does look at fuel consumption as one of the components of their index, but they also look at how BMW staff get to work and how much waste is produced in their service garages.

To be fair, this wasn’t an Australian idea. Of all places, this direct mail idea came from the BMW mother country, Germany, where driving like a nutter on the Autobahn is part of the national identity. But in Europe you can get single digit finance too, and if a BMW wasn’t reliable in Germany, there would be a national outcry.

Not only have BMW decided to tell the marketplace that they’re not shit, they’ve also decided to only tell potential new customers, not their existing customers. Those faithful BMW drivers around Australia will still be pootling around in the 3-series mumbling abuse under their breath about the wheels that they’re driving, or more likely telling their neighbours at the BBQ on Sunday that the direct mail piece they received should be torn up and used to light the Weber.

One can only guess the market conditions that drove such a desperate piece of communication. Vodafone have found themselves in a similar situation, really, acknowledging quite publicly that their service hadn’t been up to standard. So they fixed it and made a promise that it wouldn’t happen again. That’s the smart thing to do. Say sorry. Fix it. Move on. Don’t bugger about trying to sweep stuff under the carpet with some convoluted set of excuses that make you and any current BMW owner look like an idiot.

This cuts close to the BMW chassis. Vodafone’s problem was tangible and eventually, every mobile customer would notice the difference, not just the new ones signing up. BMW seem to have abandoned their current drivers in a ‘don’t listen to them, they have no idea what they’re talking about’ piece of marketing. They’ve been dismissed as if their opinion doesn’t matter.

There’s no wonder that Mr Scott pointed out this document wasn’t for media consumption. A premium brand secretly telling people they’re not rubbish? This article writes itself. The best BMW can hope for is that those receiving the direct mail throw it away. The worst is that they show their friends.

 

Study reveals consumer climate in emerging markets

While Brazilians are big spenders, the Chinese are saving, Indians are study geeks and the Russians are on a downer, brands are looking at exponential growth in emerging markets over the next few years as consumers look to ‘trade up’ in these nations.

In a look at current consumer behaviour in key emerging markets, Credit Suisse and ACNielsen interviewed 14,000 consumers across eight countries. The study found that while consumer confidence was down among this group overall, behaviour varied greatly by country and brands should not take a one size fits all approach when moving into the emerging world.

However, as wealth grows, one thing these markets are expected to have in common is a trading up from unbranded to branded products, a trend that will benefit overseas brands which are seen as pre-eminent and something to aspire to.

The mix of local and international brands varies by category, with local brands still holding sway in dairy and personal products categories, Credit Suisse says.

“As incomes continue to improve international brands offer greater growth potential than their local peers in the discretionary space,” the report says. “However, the growth outlook for local brands should be at least as good as international brands for essential goods and services.”

The report identifies three key opportunities for international brands. One of these is capitalising on the trading up trend, while the others are scope for merger and acquisition in categories where local brands dominate and opportunities to invest in local brands poised for growth.

 

The 2012 study gives insight into the current climate in eight emerging markets as well as stock recommendations for these countries:

Brazil: The Brazilian consumer stands out as the most optimistic across the survey, with one of the highest rates of income growth among the countries surveyed. Given a consumer that typically spends rather than saveing (barely 7% of income is registered as saved), it remains a market for momentum in discretionary spending (smartphones, technology, personal care). Key stock recommendations: AmBev, Brasil Foods, Natura, Diagnósticos da América,PDG, Multiplus, MercadoLibre, Procter & Gamble, Diageo, Yakult.

China: The outlook for the Chinese consumer is robust though expectations have softened in the last 12 months and optimism is lower than in Brazil and India. The strength of technology spending is a clear bull theme while a prioritisation of healthcare and education also stand out. Key stock recommendations: China Modern Dairy, Belle, 7 Days, BMW, Swatch, Wynn, Tencent.

Egypt: Optimism in Egypt is the lowest in the survey accompanied by low spending levels. The key is finding the stability and means to unlock it. At present, and politics aside, ongoing real declines in income do not provide long term opportunities. No stock recommendations.

India: Indians are confident in their future personal finances and spending in most consumer categories, particularly low ticket. There is an appetite for extra investment in education and technology spending as internet penetration continues to grow from a low base. Key stock recommendations: Educomp, HDFC Bank, Hero, Sun Pharma, Prudential.

Indonesia: The Indonesian consumer displays strong structural growth potential and high optimism. There is considerable potential to unlock under-penetrated markets such as automobiles (cars and motorbikes) and technology. Key stock recommendations: Mitra Adiperkasa, Indofood CBP, XL Axiata, Daihatsu, BATs.

Russia: “The weakest BRIC in the wall,” Russia has the lowest optimism of the group. The simple explanation stems from poor income growth but it seems unlikely that this lid on optimism will be removed easily. The outlook for growth may be better in high ticket items due to the severe income inequality and under-penetration of luxury goods and technology. Key stock recommendations: Magnit, Sberbank, Synergy, Philip Morris, Crown, JTI.

Saudi Arabia: The government’s spending plans and policy announcements have been highly supportive of confidence. Spending outlooks should remain discretionary focused (smartphones, computers, property and cars). Key stock recommendations: Almarai, Etihad Etisalat, Yum! Brands, Nokia, BMW, Apple.

Turkey: Turkish consumers are feeling the squeeze, with week consumer confidence. Food and housing costs are squeezing out discretionary spending and leaving limited funds for saving. With the outlook for real incomes still questionable, this does not look a market for high ticket spending. Key stock recommendations: Efes, Arcelik, Tofas, Reckitt-Benckiser.

A Joyful execution

As part of their ‘Joy Campaign’ BMW has taken ambient OOH to a new level with Asia’s first 3D interactive billboard projection at Suntec City in Singapore, reported DigitalBuzzBlog.

Occurring over two nights and utilising the façade of two buildings as two large screens, a short video clip was projected onto the buildings to a large reactive crowd. The purpose of the campaign was not just to create awareness of the brand, but also to capture the excitement of the event and use social media to spread the idea.

The video clip, currently circulating virally, doesn’t solely show the projected billboards, but also incorporates the reactions of the crowd at the event. BMW hope to increase the awareness of the Joy Campaign through peer-to-peer endorsement rather than paid media.

BMW spreads new car smell

For those who have always had a craving for new car smell, German car-maker BMW has a direct marketing campaign for you.

The Canadian arm of the company has launched a handout card that emits the smell of its new cars, similar to perfume cards.

With the slogan, “Joy is an exciting new fragrance from BMW”, the card features a close-up of a woman.

The leather scent on the card was a product of Scentisphere put together for the car-makers’ agency, Cundari.

According to Canadian Marketing magazine, the card made its appearance at the Montreal International Autoshow advertising BMW’s Financial Services section.

Crowdsourcing: agencys death knell?

Crowdsourcing is starting to get agencies a little hot under the collar.

Once considered a cultish Web 2.0 concept for niche design, it has entered the mainstream zeitgeist big time. Why now? Well we already know that it takes a while for the rumbles of the underground to reach the lofty altitude of big time Adland…but when it hurts their billings the culprit gets a direct line to God.

So when you see agencies such as Lowe London being dropped like a hot potato after 16 years in favour, for the client’s idea to crowdsource its ad campaign (like Unilever did last month), you know the Suits are starting to panic.

Unilever’s comp for its Peperami account is nothing new. Doritos started dabbling in the crowd with its multi-million dollar Superbowl competition and over the last year LG, BMW and Red Bull have also gone down a similar path.

But its not always some dilettante creative stacking shelves at Walmart Indiana that wins, often its small agencies that may not have ever had a look in for a pitch to a major brand.

In the case of BMW, which used www.ideabounty.com, the winner was the founder of a South African digital agency called Urbian. He pocketed US $3k for his pitch and no doubt an instant entry into the BMW global marketing lair.

But while big brands dipping their toe into the sea of the crowd seems ‘cute’, now the question is, will the result create a tidal wave away from using the traditional agency model forever?

For an industry where creativity is the real currency, crowdsourcing unleashes the beast of untapped creativity on a scale that the well-groomed marketing departments of big brands have never had access to before. And with no overhead and little cost.

What they do lose out on though is a commitment to the brand, the company and the fostering of an ongoing creative relationship. Passion, creativity and commitment can’t be crowdsourced as easily as an idea.

And thrown into the mix are questions of, “Who’s work is this really?” Stories filter through agency land, both from indie and top-end of town agencies, of over worked, strung-out creatives drinking from the (crowd)source before a big pitch. “It’s back-up,” they say, but how soon before it becomes a lazy practice? Imagine if the client actually likes that last minute idea? Does an agency owner really want it drifting out that the latest award winning campaign was actually a product of 17-year-old design student in Tunisia?

It may be easy for a web designer in Istanbul to put a template of elements together with some innovation but ensuring that those elements have a technical foundation, future proofing and flexibility that meets the need of the client is not so easy to spec without the back and forth of client-agency relations.

And if the relationship does continue, well, be careful what you wish for. What you thought was a gorgeous (but slightly cheap) Russian bride might end up being a case of playing Russian roulette with your brand and design integrity.

BMW: Are you the one

This case study was submitted by Georgie Summerhayes of Brand New Alliance. To submit a case please email kate.kendall@niche.com.au for the guidelines.

Background

BMW needed to relaunch the 1 Series into the Australian marketplace
after a soft launch in 2007. They wanted to excite ‘hot urbans’ which
was the segment that was most likely to purchase, and had significant sales
targets.  

A new TVC from Germany, developed for the relaunch, was designed to
instil more excitement and awareness in the 1 Series but the music on
the TVC needed more energy for the Australian market. Badjar Ogilvy,
the above-the-line agency for BMW asked Brand New Alliance
(BNA) for a strategy around what could be done with a change in music
and a plan to illicit more engagement with the audience through this
new music.   

Campaign: BMW: Are you the one

Client: BMW Australia

Agency: Brand New Alliance

Objectives

Objectives for the campaign were to:

  • Create an opportunity for BMW to connect with the Hot Urban market on their terms and on multiple platforms
  • Create a meaningful ongoing conversation with the BMW brand, and
  • Leverage the music used in BMW above-the-line advertising to create more fame for the communications campaign.

Strategy

A strategy was created to ignite the hot urban market by leveraging their interest of Australia’s pre-eminent dance act, The Presets, who were enjoying a rapid resurgence in popularity at the time, and integrating the BMW brand using the music. Awareness, interest and positive word of mouth was generated across multiple platforms through the development of a new music single, new music video and strategic distribution amongst target media outlets as well as influential key opinion leaders.  

Execution

A new single

BNA arranged the remix of the single with a globally respected mixer and DJ from France who could lend that ‘edge’ to BMW through the single. ‘Hot Urbans’ were immediately interested in the project via some seeding through leading music industry site, Inthemix.com.au, and the blogosphere and eagerly anticipated the release as monitored through those forums. Nova put the single on rotation on Nova Nights and developed a promotional partnership with the campaign because of the quality of the music provided and the plan overall. Significant radio play helped the success of the single.

A new video

We asked globally respected animators, Collider, to storyboard their interpretation of the campaign. They produced a new video which included subtle brand references without looking like outright product placement. This is a fine line to tread given the target market and how easily they reject outright brand interruption but we got the balance absolutely right and it was played on every music TV channel in Australia. Dealerships and other digital channels also played it and several international channels were very supportive.

Digital strategy

Blogs, forums, partnerships with Inthemix and Fasterlouder, iTunes release, community playbacks and general lifestyle digital PR stories dominated airwaves over April and May and significantly delivered cut through and media pay back. This was particularly successful following the negotiations to allow the track to be downloaded for free. This negotiation was key to mass uptake.

Live strategy

Dealers had the time of their lives playing the exclusive track in-store, at launches and showcasing the video and integrated communications strategy to the target audience as well as to hot prospects of other ranges.  

The program also included a carefully timed servicing of the track to clubs both in Australia and internationally so that dancefloors around the world were influenced by the BMW single.

Results

The campaign generated significant editorial coverage within relevant metropolitan, regional and industry print publications, 650,000 viewers per week on Channel V “Dance on V” which was run on rotation and achieved significant airtime on Nova Nights in Sydney and Melbourne over a number of weeks.  

The track attracted 293,400 unique viewers on inthemix.com.au (making the track the most blogged track on inthemix.com.au to date) as well as generating huge interest on blogs globally and YouTube.

Leading DJs around the world played the track at clubs and the song reached number 19 on the ARIA Australian Artists Singles Chart.

The BMW in-store experience was transformed throughout the campaign and helped deliver more calls than they have ever had and the resultant test drives resulted in BMW achieving sales in excess of their plan for the launch.

Overall, by using brand entertainment, the campaign resulted in the often difficult to connect to urban target market engaging with the BMW brand in an entertaining and relevant way.

BMW + Presets = ?

BMW have a decent history in Australia of tying their marketing activities to the arts. There were BMW Art Cars and BMW Films, and then there was that time that they dabbled with the black arts, or black hat SEO to be precise.

So in line with this desire to position BMW as the car that creative people drive [really?] BMW have recently collaborated with Aussie synth jockeys The Presets.

To promote the release in Australia of the 1 Series, BMW has asked The Presets to remix one of their hits, Are you the one? and in startlingly mundane press-release fashion, this event is described as ground-breaking. How many more times does the ground have to be broken?

Julian Hamilton of The Presets had this to say:

“Its cool that this project with BMW has allowed Jonathan (Zawada) and Collider the creative freedom and scope to create something so forward thinking and fresh, like an art project that will stand alone on its own merits”

And Tom Noble, Australias general manager of marketing just couldnt stop himself:

“This is a unique partnership for a unique car, which we haven’t seen in Australia before. We realised that the 1 Series has much to offer a new generation of BMW customers who are not going to be reached through traditional advertising methods. Successful, creative people under the age of 40 are discovering and consuming music and other entertainment products through new technology and integrated lifestyle experiences. Those are the people that we want to speak to in a way that excites them. By sharing the stage with The Presets, BMW wants to get across the message that driving the 1 Series is fun and accessible for those individuals who believe they are the one.”

So BMW wants to shill more cars to a market other than the baby boomers and The Presets just want to make something beautiful. How does this kind of marketing benefit either brand really?

Call me cynical, but the Newshound cant help but feel that this partnership is approximately one part sell-out and one part cash-in.

Guerrilla Guide: Keeping marketing simple

I’m at Byron Bay. Mecca for the socially aware. Spending a couple of hours with an old mate who has taken every holiday over the past 10 years here. He has bought a ‘bit of property’ every time he’s visited. He now owns a fair few spots, shops, farms, apartments. He decided to retire, in his forties, and all he does now is surf and drink beer and talk to people. He’s charming, his family are charming; the scene is charming… almost.

We’re lounging on the grass eating fish and chips with our kids. The sky is blue, a few random white cotton-ball clouds tippy-toe across the horizon. Whales jump, miles out to sea. As they do, mobs of hippies, interspersed with Japanese tourists, gabble in awe as the white water plumes shoot up from the sphere of endless blue. The chant of some 30, spoiled, fresh-faced, well-meaning middle class black t-shirted kids, protesting to Make Poverty History, almost drowns out the seagulls.

The seagulls swoop and cackle every time one of my spoiled, middle-class kids tosses half a chip their way. Somehow the noise and eagerness of the gulls is out of step here. This is a serene environment and the mad scramble for food, the flapping of wings, the snapping at competitors, is wrong – it does not fit. The sun is forever shining, the grass is greener, the wind lighter and airy, a perfect 24 degrees, soft unadulterated mellowness. But then come more birds, and with no regard for the peace and calm of the place, they make a violent racket over a few greasy chips.

It gets me thinking about calmness. About a focus on one thing, one culture, versus a loud gabble about anything. About how many marketers say way too much, pester their customers, rather than pacify, staying relaxed in themselves, like the proverbial surfing hippy.

I guess much of it comes down to confidence, to knowing what it is you stand for and proudly pushing that direction. Having the balls to make the big call; and not trying to be everything to everybody.

And I think about who’s successful out there in Marketing Land, and how much they focus their efforts on a single-minded proposition.

I’m simply big

The big operators always focus. In fact, the bigger you are, usually the simpler you get. I’m not sure if you get simple because it’s easier to manage when you’re big, or you get big because you are simple or keep things simple, but either way, simplicity in marketing messages goes hand-in-hand with size. It’s the big groups who say a simple message. It’s the small ones who always want to say way too much in their communications. And I know youre probably saying, “Big companies that are already known have the luxury of being simple and the little guys have to stand out and be different to get big.” Good point. But to stand out to the masses you need to keep it basic. YouTube has grown from nothing to a multibillion dollar company with ‘Broadcast yourself’.

Simple means easy

Simple is so much easier for everyone. From the customer who can describe your ads to their friends, to the marketing department briefing their agency, to the agency’s art directors who know what kind of image to look for, simplicity makes your marketing smoother, your message stronger, your dollar go further.

You simply stand out

By being one-eyed on what you say about the brand, you allow the public to recognise a pattern. They can see you in a field of moving images, in the wash of rubbish that is today’s communication mix. You maximise the effectiveness of your media spend, by being more recognisable among the 5000-plus messages they have to wade through every day.

Yours are the ripest melons

It doesn’t matter what the message is, as long as it can be delivered and you can feel good about it for many years. It must obviously have wide appeal if you are to grow large. (With a narrow focus on a low income target group, like unemployed alcoholics blind in one eye, you might end up very poor yourself.)

A psychological positioning

You need a message that anyone, in the right mood, will relate to. Fortunately there are millions of these messages – we humans can relate to all sorts of situations or emotional positions – but, and here’s the rub, it must be both emotional and somehow fit a ‘logical’ angle too. Logical is easy, the better size, the cheaper price, the more convenient pack. But there are millions of brands out there that do everything right and still fail to make real money. Why? Because people don’t buy on logic, they buy emotion. You and I as marketers know this – the pack looks prettier, the brand says animal-friendly, the vibe is for kids, the lonely old man finds a new friend, whatever. We like the brand.

The choice isn’t easy

More effort goes on this issue than almost any other in Big Company Land. Number two is executive jostling position, three is the financial situation and a long way behind in fourth is anything else.

Why? ‘Cause why we are here and what we say about ourselves makes or breaks waking minds in Senior Marketing Land. The day-to-day is often made up of meetings about psychological locations, moving niches, deep research, chatter online or consultants’ constant ‘revelations’. But most of all, about how we should paint how we are seen. Why again? Because were human, and humans have values, simple values. And these values filter through to everything we do in life, so when a brand has a simple positive value, it has emotional appeal.

This takes focus. And, as we have to do new ads or the public gets bored very quickly, the issue is often very simply ‘How we can hit the centre of the circle again and again without straying from the sweet spot. What is it we can say, that says it again even better?’

And this focus is the job of the positioning line, the tagline.

Role of a tagline

To remind people why you exist. To summarise your brand’s values. To reinforce the good things they believe about your brand. To make you stand out and stand for something specific. To enhance your brand’s memorability and to hopefully generate a long-term positive feeling towards your business. And, most importantly of all, to give the agency and the marketing department something to aim for with most ads.

Big company discipline

Good taglines are a big company discipline, like decent marketing budgets, professional, intelligent briefs and accounts departments that pay on time. Smaller, dumber, lesser-skilled businesses wonder whether they need them, can’t decide on what to say and often grasp the first thing that sounds OK, without putting the effort into decent analysis of the implications. Taglines, like any other key business communication tool, deserve real thought.

Research your market

Ask around the business. Interview customers. Run focus groups or quant studies if you’re that well-known. Be hard on the researchers – did they really mean that? How can you be so sure?

Test your taglines post their development too. Run a few focus groups or some quant on the take-out and how they are seen – make sure what you think it says is actually the take-out.

Decide if you’re there yet

Many players settle for how they are seen now. You need to add the one magical ingredient – vision. Choose a tagline that says as much about where you are going, as where you are now.

Focus on your findings

What to focus on is your core competitive advantage – real, perceived or intended. Easy to say, huh?

A broad advantage

Make it something that will appeal to all of your customers and most of your competitors’ customers, not something that just appeals to those you might like to focus on. The more universal, ‘motherhood’ the statement is, the better to win a large customer base. Motherhood – everyone is in favour of motherhood (otherwise we all wouldn’t be here…), except I guess if you happen to be becoming one right this day, then you might be in favour of reliable contraception… say, nine months ago.

Make it deliverable

When Coles adopted ‘Where quality costs no more’ in the mid 90s, it lost market share hand over fist (which is a bit like the way it was wanking itself, I guess) because the punters said: “Quality always costs more – this is a lie” (I did focus groups on it for the company’s competitors). It was demonstrably undeliverable in the public’s eyes and so lost the company credibility.

Do a style guide

Set up the situations in which the tagline will be used – how big it is to be in relation to the logo. Will it be used on all communications or should it vary by demographic group? But take the decision side of the style guide out of the designers’ hands – set a strong brief yourself. If you leave it to the designers, they will often do it on the basis of their perception of how it looks best, not how it works best strategically.

Leave the details out

If you haven’t got the meaning from the tagline, the tagline is not working. If people have to think for a little while first, it may be OK, in fact is often better, because they will remember it more if they ponder or ask someone, but if it plain doesn’t communicate properly, go back to the drawing board.

Resist the temptation to qualify

Sometimes companies make the mistake of trying to be too specific – too accurate. To explain exactly what you mean. This makes for very dull ads, and does not acknowledge the public has any brains, which is insulting. The push to do it usually comes from anal accountants or engineers who want everything perfect and who don’t understand how humans really think or behave and/or middle-weight lawyers who believe the ACCC still has some teeth and are always sure you need to make everything as plain as the nose on Graeme Samuel’s face.

Nice examples

  • BMW 3 Series – ‘The ultimate driving machine’
  • Vodafone – ‘Make the most of now’
  • Panadol – ‘It’s my choice’
  • Tatts – ‘Life could be a dream’
  • Lexus – ‘The passionate pursuit of perfection’
  • Coles – ‘Something better every day’
  • Life Health Care – ‘There’s more to life’
  • TXU – ‘We care about electricity, even if you don’t’
  • YouTube – ‘Broadcast yourself’
  • American Express – ‘Don’t leave home without it’
  • Hewlett Packard – ‘Invent’
  • Commonwealth Bank – ‘Which bank?’
  • And I love this one from our boys bearing arms in the States…
  • Colt 45 – ‘It works every time’
  • Dumb ones
  • Schwarzkopf – ‘Professional hair care for you’
    How could it be? I’m doing it at home!
  • ANZ (1980s) – ‘The best bank is the bank that serves you best’
    Hardly rolls off the tongue.
  • Holiday Inn – ‘Look again’
    Well, what the f#%* does that mean? Keep looking for another hotel?
  • Toys R Us – ‘I dont wanna grow up, Im a Toys R Us Kid’
    Fine in principle, but it would have been far better if it was ‘Dont grow up’. Again, less is more.
  • Johnnie Walker – ‘Keep Walking’
    In Australia, ‘Keep Walking’ means piss off, should we just ignore Johnnie and go straight for Jim?
  • Fanta – ‘Dont you wanta Fanta?’
    Just stupid.
  • Coca-Cola – ‘The Coke side of life’
    That’s the fat side for those who’ve had too much.
  • Camel cigarettes – ‘Id walk a mile for a Camel’
    You probably wouldnt make it a hundred metres.
  • Best Western – ‘Best everywhere’
    Talk about under-delivering on a promise.
  • LOréal – ‘Because Im worth it’
    Youre worth using a home hair colouring kit instead of going to a professional? Nup.

Types of positioning lines

Traditional taglines

Said after the brand’s name as in ‘National Australia Bank – Tailoring banking to your needs’. Not a very original way to do it, but probably the most effective.

Before lines

‘Seriously… Network 10’. Sets the public up often better than telling them after – but needs to be short or the brand gets lost in the process.

Surround line

‘Go Harvey Norman Go’. In their case it says to me ‘Go away from Harvey Norman’ – and one quick walk around their furniture department with the gorgeous vibrating plumped up armchairs designed for the super obese, said run to me.

Non-taglines

The classic fashion industry ‘we’re so cool we don’t need to say anything. We’ll just use grumpy, stick-thin models and guys with a three-day growth and you’ll know we’re it and a bit’. Which is fine if you’re the first one in your sector who takes this approach, but when they all do it? Just another way to blend your brand into all the others and stand for nothing. No wonder the rest of the marketing world laughs at the fashion industry. And why, when they do say something, like Benetton’s ‘United Colours’ (anti racist), or Rip Curl ‘The Search’ (for the perfect wave), they get noticed and remembered.

Live the dream – deliver the reality

Get everyone in the business to buy into the positioning focus – this is not that easy with 20,000 employees (often requires considerable internal work training courses, intranet emails, relaunch parties etc.). But the public doesn’t care if your internal communication system is shite. When Westpac says, “We know and respect our customer” the punters expect the staff in their branch to say, “Hi Mary, how are the kids?”, not ask her for frickin’ ID.

Get over it

Yes, you’re not sure what the message should be. And you’re not sure if the current one is working. This is a good place to start. Giving decent consideration to things is invariably way better than bog determination to shove a dumb idea down the public’s throat. So often the case…

The steps to find a simple promise, and the focusing of your company on that, aren’t hard really. It’s a bit like eating an elephant – one bite at a time. It should be quite uplifting and will give you heaps of excuses to debate issues with other senior management and the board. With any luck, you can even launch a new campaign, which is always nice for your CV.