Interactive fly traps, McDonald’s graffiti menu: creative European billboards

There has been plenty of innovative uses of billboard campaigns of late. This new billboard in Milan, Italy for an insect spray also serves as a huge pest strip, thanks to a few layers of aerosol glue.

The glue follows the arc pattern of the Orphea spray and is a clever way to show off both brand and creative. Check out the making of it.

Meanwhile, McDonald’s in Warsaw, Poland are changing up a billboard-sized menu that is hand-drawn in multicolored chalk twice daily by graffiti artist Stefan Szwed-Stronzynski.

It’s all a part of a campaign devised by the local Warsaw office of DDB, art studio Good Looking and Krewcy Krawcy Productions with the goal of the campaign to “capture the freshness of McDonald’s food” according to Magdalena Drozdowska and Mateusz Ksiazek, the creative team behind the project.

“We wanted to show the freshness of McDonald’s food. Hand-written menus gave us a flexibility to change and show new offers on the daily basis,” the say.

H&M shift from waif to womanly model

After years of using stick-thin swimwear models to promote campaigns, H&M has selected Jennie Runk, a size 12 from America in this season’s beach-related advertising for the brand.

While many fashion brands use super-slim, ”unhealthily thin” models and even doctor images by tapping into CGI to distort reality, it seems times are changing.

That said, brand reps of H&M are shying away from the topic by saying that Runk was simply the leading swimwear candidate for the line.

“Our aim is not to convey a certain message or show an ideal but to find a model who can illustrate this collection in an inspiring and clear way,” H&M spokeswoman Jennifer Ward recently expressed to Quartz.com.

She Runs The Night – strategy, execution, results of Nike’s groundbreaking campaign

Campaign: She Runs the Night

Client: Nike

Agency: Razor

 

Background

The Nike brand was strong within the running market, but Asics had a slight edge in shoe sales, especially female shoes. Nike had always designed shoes specifically for women’s feet, but had never communicated exclusively to females. Collectively, Nike and Razor felt this gap was an opportunity.

According to research firm GfK, Nike was the top consideration for female runners; however, Asics was seen as the running specialist and the brand most likely to be recommended to others.

Nike She Runs runners

Objectives

Nike’s overall objective was, to find a way to connect with female runners and get them talking about Nike.

Strategy

Razor started by speaking with young females who took their running seriously and soon it became apparent running appeared to be an individual pursuit, dominated by men. Women had a tendency to run alone, often left to overcome their fears and achieve their goals by themselves. This seemed at odds with women’s natural inclination to discuss and share experiences.

The big insight was that young women runners lacked something fundamental to the female psyche: a forum to communicate, achieve goals and conquer barriers together. The idea, therefore, was born: create a community for young females bound by a passion for running.

The strategy was to use real female runners as the primary channel to promote and grow the community a significant departure for Nike from elite athlete-led communication. Channel imperatives employed were:

  • Physical running communities – created for authenticity,
  • digital communities – necessary to match young female social behaviours,
  • mobile interactivity – essential given high usage by runners, and
  • advertising – placed in female worlds, not running worlds, shattering the male-dominated norms.

Nike She Runs Facebook

Execution

Conversation was ignited through Nike’s social media channels, with a rally cry for change and stimulating chat around the barriers women face. It was during this conversation that the need to tackle the biggest barrier of the community was identified: running alone at night.

So, Nike decided to challenge its community by announcing a 13-kilometre night race for female runners. This would be the anchor around which the community would be built. It also gave the community a name: ‘She Runs the Night’.

Young runners were solicited to be the voice of the brand. Carly, a young runner, was appointed as the community manager to bring a voice to the ‘Nike She Runs’ Facebook page. Her posts brought instant authenticity to the community and led to some of the highest engagement across Facebook posts.

Nike encouraged women to share their running experiences with both the Facebook page and their fellow fans.

After 16,000 likes and 14,000 people talking about the run within one month, it was clear the community was on to something powerful.

With 87% of young female runners running with their phone, an app with content generated by Nike and the runners was made available to the women to provide further inspiration and motivation.

Nike She Runs in storeTo help recruit runners for the race, five young women were chosen as ambassadors. Their stories were told in a content piece, employed across multiple channels.

The ambassadors’ stories were placed on posters with QR codes that activated videos in environments where runners congregated and discussed running or fitness, such as Fitness First gyms and well-known running routes.

 

Further promotion was provided through eDMs sent out to Nike’s various databases and via a Cosmopolitan partnership, which included:

  • An editorial feature on night running,
  • advertising,
  • website integration with Cosmopolitan.com.au via editorial, plus impactful display advertising, sending users through to the race’s Facebook registration, and
  • a running workshop.

 

Nike She Runs EDMThe promotional push was replicated within universities, recruiting ambassadors who:

  • Networked and recruited within clubs, societies, sporting groups, gyms, sport and faculties on campus,
  • put up posters across the five campuses,
  • sent eDMs to 39,834 students, and
  • used their own social channels.

 

Each ambassador held weekly run clubs in different locations around Sydney, allowing women to not only train for the 13-kilometre run, but also connect with other women along the way.

Race night was where the community came together. Runner journeys were published via all media partners and Nike’s own media. Race entrants also received a personalised digital media video post-event.

For the ‘She Runs’ strategy to operate as an ongoing communication platform, it was critical that the community continued to contribute and promote post-event. Nike-run clubs continue to operate on a weekly basis.

Ambassadors still provide motivation to runners and continue to promote product innovations. Carly is still blogging.

Results

‘She Runs’ was one of the most successful campaigns of 2012. It demonstrates the power of a culturally connected idea – one that helps a community to form, shifts brand perceptions and ultimately changes how people talk about a product. All KPIs and expectations were exceeded:

  • A community of 54,762 female runners was built (83% more than KPI),
  • 98% of the digital community,
  • positively engaged with Nike (40% more than KPI), and
  • 90% of runners surveyed via Facebook intend to run the race again this year (13% more than KPI).

 

Nike did not commission research to gauge a shift in brand preference, but sales targets were hit and key shoe styles sold out.

Nike and Razor set out to shake up running for women and ended up sparking a movement that unleashed a powerful, thriving community – a community that’s still running.

The campaign has also been recognised by several key media industry awards including winning the Best Integrated Media category at the 2012 Media Federation of Australia Awards and winning for Best Engagement Strategy at the Festival of Media Awards Asia.

 

St. George Bank’s new brand push wants to see your inner dragon

St. George Bank is urging its customers to ‘be more awesome’ as part of a major rebrand campaign unveiled last night, on the occasion of the brand’s 75th birthday.

The new campaign, by newly-appointed creative agency Saatchi & Saatchi, is titled ‘Start Something’ and urges customers to find their ‘inner dragon’ and start doing what it is they really want to do.

George Frazis, CEO of St. George Banking Group, said the public will see a refreshed and re-energised St. George brand, linking back to the roots of St. George which this year celebrates 75 years.

“St. George was built on a foundation of helping people ‘start something’ – helping people to start saving for their first home or helping them start a business. This is the underlying concept of our brand refresh – we want to challenge and inspire people to get out there and start whatever it is they really want to do,” Frazis says.

The advertising campaign will comprise print, OOH, in branch, digital and social media and a TV commercial that will reach Australians throughout NSW, ACT, Queensland and Western Australia in both city and regional locations.

General manager strategy, marketing and customer experience for St. George Martine Jager says, ”St. George is passionate about helping customers and our local communities. We’re here to help people stop renting and start buying – if that’s what they want. Start bidding, start building, start owning, start a business – whatever it may be, we’re here to help Australians just get out there and go for it.”

“We’re really excited by the new campaign and hope that more people will back themselves and, with St. George’s support, unleash their little dragon! It takes courage and confidence to start something new, and that’s what we are hoping to inspire,” she says.

 

Canon drops $13m in biggest ever consumer push

In the biggest marketing campaign in the company’s history, Canon yesterday launched the consumer-focused ’No One Sees It Like You,’ aimed at encouraging people to do more with their photographs. Representing $13 million in media value, the integrated campaign will roll out across TV, cinema, print, online, and outdoor advertising as well as in-store merchandising.

Director of consumer imaging, Canon Australia, Jason McLean says consumer-centred marketing and sales activities of the last five years in Australia has allowed Canon to develop campaigns that have contributed to growth in our category. “With our platform in place, we’ll be releasing additional content and functionality later in the year and look forward to seeing people do more with their images as they overcome their current frustrations in the imaging category,” he says.

“We’re confident that there’s significant growth to come from helping consumers take the next step in their imaging journey.”

Leo Burnett, Mediacom, How To Impact, Possible, Ogilvy PR and Uber were the agencies involved in the campaign.

Canon will continue to add new content to the campaign throughout the year.

What shits you? Anger-venting campaign for bowel cancer awareness

Bowel cancer awareness organisation, The Jodi Lee Foundation, has today launched whatsh-tsyou.com to provide a public forum for people to unload their frustrations about the funny things in life that give them the shits while learning about bowel cancer.

Created by agency Jamshop, whatsh-tsyou.com enables people to share, connect and vent their frustrations through Facebook. A supporting print advertising campaign, also developed by JAM, goes live this week to help drive traffic and further awareness.

The site is light-hearted but with a serious agenda encouraging quirky postings about almost anything, including photos and videos. The most popular posts will be promoted on the Facebook page.

Bowel cancer is the second most common cause of cancer-related death in Australia after lung cancer, claiming almost 5000 lives every year. The Jodi Lee Foundation strives to raise community awareness about bowel cancer and how early detection can save lives. Jodi Lee was a loving wife and mother, who in 2008, at only 39 years of age, was diagnosed with bowel cancer. She passed away in January 2010. Had the bowel cancer been detected early, Jodi would of have had a 90% chance of still alive today.

What Shits You?

 

Kekovich loses his marbles in MLA’s new Aus Day ‘lambnesia’ campaign

‘Lambassador’ Sam Kekovich is back on our screens for Meat & Livestock Australia’s (MLA) new Australia Day lamb campaign, but this time he’s lost his marbles after taking a cricket ball to the scone.

The blow to the head, which was staged during a Channel Ten weather report and posted to Ten’s YouTube channel, set the scene for the ‘Lambnesia’ campaign, which sees Kekovich take to a therapist’s couch to recount symptoms of unAustralianess onset since the head blow.

He hallucinates about AFL players in tutus, getting his fingernails painted in the same bright yellow as Seal sported on The Voice and dancing Gangnam Style, before urging viewers to take a test for unAustralianness at lambnesia.com.au.

The test asks participants to rate a series of images as Australian or unAustralian, before rating your Australianness and prescribing a course of action to boost levels including recipes for lamb meals.

The video, by creative agency BMF, was posted to MLA’s ‘LambAustraliaDay’ YouTube channel yesterday and unveiled by Kekovich on Sunrise this morning.

Shit mates don’t say: Cancer Council targets men’s health with viral video parody

A new campaign for the Cancer Council of NSW takes a serious men’s health message and implants it into a comical viral video in a bid to get through to hard-to-reach men.

‘Shit mates don’t say’, created by agencies Cicul8 and Projucer, puts a new twist on the ‘Shit girls say’ YouTube skit, promoting the idea that it’s what’s not being said that’s the problem when it comes to men and cancer.

Research from the Cancer Council shows that men are 84% more likely to die from cancer than women, with lifestyle factors and a general unwillingness to discuss health problems major factors.

Associate professor David Smith from Cancer Council NSW says the campaign is the first male-focussed campaign the Council has launched. “We’re talking to men in a language they understand… It’s about getting them to talk about the issues, think about their health and getting them to start the conversation.”

The video is compilation of a bloke saying out-of-the-ordinary things to his mate, including complementing him on his flow at the urinal, swearing off red meat and expressing his love for organic food, moisturiser, Prius cars, almond milk and zumba.

It closes with the line, “Your mates don’t say shit like this. But a healthy talk could be the first step in preventing cancer.”

To leverage the past success of the ‘shit-people-say’ memes, a consumer-generated feel was a crucial part of the creative, according to creative producer and co-founder of Projucer, Joshua Capelin.

“The piece was deliberately not over produced, including limited post production so as to appear citizen made, thereby increasing the authenticity of the message,” Capelin says.

To deliver the hard-to-convey health message to men in a positive light, it was important to embed it subtly in the execution alongside the pay-off of entertaining content, Capelin adds. “We hope some of the lines are recalled and seep into everyday conversations men have at work and during manly gatherings.”

The campaign is supported by a website that includes health tips and facts on cancer.

 

PayPal launches Christmas assault with secret Santa gift chooser – Instakringle

It’s the lack of thought that counts when it comes to ‘secret Santa’ presents this year, according to PayPal, who’ve launched the first in a number of campaigns to keep its name front and centre during the Christmas retail season.

The payment service has developed a website, called Instakringle, to take the bother out of choosing a Kris Kringle present for a colleague or relative. A partnership with retailers Glue Store, eBay, oo.com.au, Kogan and Deals Direct, the site requires only three inputs to decide on a gift – sliding scales between male and female, corporate and eccentric, and wallflower and boss.

instakringle

“There’s a Secret Santa gift idea to suit everyone, even that weird guy in accounts. Make yours the best gift at your office Christmas Party. Plus, you can print your own wrapping paper and gift tags. Kringle crisis solved! Jump on to InstaKringle.com.au and remember… it’s the lack of thought that counts,” the YouTube description for the campaign reads.

Head of brand and consumer marketing at PayPal, Juliet Mackenzie, says, “The Instakringle activity is one of a number of campaigns we are currently running in the lead up to Christmas to ensure we have presence during the busiest shopping period of the year.”

We have worked with some of our 60,000 Australian retail partners to create a website that offers a range of quirky gifts for under $30, which can be purchased quickly, easily and securely via PayPal.”

It’s being promoted via a series of online videos, press, radio ads, digital office and café screens in CBD locations across Australia, as well as online banners for desktop, tablet and mobile.

The campaign was created by Dynamix and We Are Social.

 

Movember collaborates with Google Chrome on ‘Movember Games’

To celebrate and promote the month of ‘Movember‘ digital agency Mark Sydney and Google Australia have  partnered to launch a series of moustache-themed games to help promote the charity and its quest to raise money for men’s health issues.

Movember Games’ is a Google Chrome web app that keeps participants motivated during the month of Movember with a collection of four face-tracking games set to roll out each week of the event.

The project is a collaboration between M&C Saatchi’s digital agency Mark and digital production arm, MAKE.

Two of the series’ games are now live letting users augment fledgling moustaches by positioning a mo on their lip using a webcam and dodge flying objects by ducking and weaving their mos out of the way.

The campaign is supported by online and outdoor, and a 30-second TVC.

With Macworld.

‘Share a Coke’ follow-up campaign unlocks songs with Spotify

Coca-Cola has launched a follow up to its wildly successful ‘Share a Coke’ campaign with a Spotify integration in a bid to tap into the emotion linked with music.

The campaign, created in conjunction with Universal Music and Spotify, aims to to help Australians relive special moments in their lives and reconnect with friends and family by encouraging them to share songs unlocked by QR codes or URLs printed on products.

Running until December, ‘Share a Coke and a Song’ will see consumers who activate the QR codes and URL directed to a mobile site where they can share the songs with their friends on their smartphones or into the Spotify desktop program to listen to and share the songs from their PC.

The packaging of selected bottles and cans of Coke, Diet Coke and Coke Zero will feature a year from 1938 to 2012. By scanning the QR code or visiting the URL code on the COKE pack, consumers will unlock 50 popular songs associated with the year printed on the bottle.

Marketing director at Coca-Cola South Pacific, Lucie Austin, says music is a universal connector for people across cultures and generations, as well as an emotive connector. “People often associate songs with emotions, people, and places they’ve experienced in the past,” Austin says. “We’ve all heard the first few bars of a song and been instantly taken back to a special moment that was shared and enjoyed with others.”

Years are being printed and distributed on products at random, but Austin says there will be an era of relevance for most people on the shelves, including the campaign’s core target market of young adults.

Advertising supporting the campaign within Spotify will kick off on 29 September encouraging users to engage in the campaign. While Coca-Cola counts Spotify as a global partner, this campaign marks the first time the brand has advertised locally on the music streaming service.

share a coke spotify

The original ‘Share a Coke’ campaign which launched last summer across digital, social, outdoor and TV saw people’s names printed on Coke bottles and cans, as well as the iconic Coke billboard in Sydney’s King’s Cross. Young adult consumption increased significantly during the campaign, up by 7%, making 2011 the most successful summer ever for the brand. The campaign earned a total of 18,300,000-plus media impressions, boosted traffic to Coke’s Facebook site increased by 870% and saw 378,000 custom Coke cans were printed at local Westfield malls across the country.

Read: Marketing’s case study on the success of 2011’s Share a Coke campaign.

 

Ranga rebrand: Bulmers promotes ginger pride

To plug the launch of its new ginger cider variant, Bulmers has launched a Facebook page promoting ginger pride.

Created by Liquid Ideas, the campaign for Bulmers Ginger carries the tag line ‘Proud to be Ginger’ and will culminate with a ‘Ginger Party’ in Sydney. To go into the running for tickets to the event, punters are asked to describe which ginger they’d take as their date in 25 words or less.

Bulmers Ginger is the first ginger cider to launch in Australia, introducing a new variant to the barnstorming cider market, which is the fastest growing alcohol category in Australia. According to Nielsen’s Scantrack Liquor study, the category grew 43% in the 12 months to June 2012.

While the Facebook page has a tongue-in-cheek tone, it could potentially fall prey to the Advertising Standards Board’s recent ruling that fan comments on Facebook pages are effectively ads and need to be monitored by the brand.

On a ‘house rules’ tab of the page, Bulmers writes, “Comments posted to this page do not necessarily represent the opinions of Bulmers or Carlton & United Breweries.”

And if you’re thinking of making any disparaging ‘red hair, no friends’ remarks, think again. Bulmer’s also writes that the page is for the love, not ‘trolling’, of proud, confident gingers. “We will review comments and will moderate or remove any that are inappropriate, offensive, inaccurate or unlawful, so keep it clean folks, there’s a time and a place.”

Bulmers Ginger will hit the market following the Ginger Party launch event, to be held on Tuesday 18 September at The Standard in Sydney.