Twitter founders introduce new ‘networked publishing’ tool, Medium

‘Obvious’, the company headed by Twitter co-founders Biz Stone and Ev Williams, have introduced a new collaborative publishing tool called Medium.

The release follows the pair’s continued success in providing the world with major publishing platforms, beginning with the Blogger service and, more notably, Twitter. Medium aims to offer a collaborative resource among media networks and maintain the standard of content production.

Co-founder Williams writes, “Lots of services have successfully lowered the bar for sharing information, but there’s been less progress toward raising the quality of what’s produced. While it’s great that you can be a one-person media company, it’d be even better if there were more ways you could work with others.”

Medium features different types of posts including text and pictures, which are then grouped into collections. From there, multiple parties can add materials to these groups, as part of a ‘networked publishing’ operation.

The category groupings are organised with highest-rating posts at the top and the rest appearing below. As of today, people can access Medium and offer commentary such as ‘This is good,’ ‘This is helpful’ and ‘Nice work!’, all of  which contribute to the site’s scoring system. Currently, only a limited number of users are able to publish new content on the site.

Stone emphasises that while Medium’s primary objective is to facilitate a global networked publishing system, the site is still in production.

“Much of our vision for Medium is just that – vision,” Stone writes. “Our ideas are much farther along than our product. Medium is only a sliver of what it could be.

If Obvious’ product history is anything to go by, Medium is set to create a significant impact in the social network and online publishing industries.

 

Story originally published on Marketing‘s sister site Macworld.

 

Bad reviews are good for business, boost conversion

Online retailers have nothing to fear from bad reviews and should embrace them for their trust building and feedback value, says Reevoo, the latest provider of product review architecture to launch in Australia.

In fact, bad reviews can be one of the most effective conversion tools for a content marketer, according to Reevoo’s research, which found that consumers who read negative reviews have a 67% higher conversion rate than those who don’t.

Having recently opened an office in Australia, Reevoo provides social commerce services centred around reviews, similar to those provided by global reviews giant BazaarVoice. The company refuses to allow its clients, which number almost 200 and include blue chip names Ford, Black & Decker, Orange, and Sony, to delete negative reviews.

CEO of Reevoo, Steve Hurn, explains that even the best product or service will have drawbacks in the eyes of some, citing the iPhone’s breakability and dubious call quality as an example. “If you go on to Amazon or TripAdvisor and see five out of five reviews one after the other, it’s boring, it’s unrealistic… consumers don’t trust it,” he says.

Hurn says he’s lost only two clients over a two year period for refusing to allow negative reviews to be removed. Most of the brands he works with are apprehensive at the beginning but come around once they see the benefits of being transparent. As well as building trust, negative feedback can help improve product design, marketing and customer service, and even help brands turn detractors into brand advocates through good customer service.

Of course, generating more positive than negative reviews is the end game for retailers looking to build the consumer’s voice into their product pages. But many are opening themselves up to a high ratio of negative feedback by making little effort to solicit reviews. Anger or disappointment are usually the strongest spontaneous motivators for leaving a review, and by failing to proactively seek reviews positive feedback will often go unsaid.

Hurn says the company is expanding quickly and has recently closed a round of funding to allow it to compete internationally. He is currently hiring sales and marketing staff locally and hopes to have a team of over 10 based in Australia by March next year.

 

User-generated content choking in Facebook’s overgrown garden

With the volume of content shared on Facebook having increased exponentially, not only is cut through for brands declining, but clicks on links shared by consumers have also plummeted, down 66% in the past year.

The finding, from a study of post-purchase shares on Facebook, comes as bad news for brands, in particular for retailers who are attempting to boost sales through ‘social commerce’ approaches that get consumers talking about products online or sharing links to retail sites.

The study, conducted on over 26,500 shares across multiple category verticals by social commerce platform Shopon, found that gaining traction from encouraged sharing of brand material, even when the share appears genuine and is in the consumer’s own words, is becoming increasingly difficult. Clicks on links posted to Facebook through Shopon’s platform, which incentivises customers to share products they’ve just bought as part of the post-checkout process, declined from 3.6 in May 2011 to 1.2 in May 2012.

Co-founder of Shopon and business development manager at digital agency Amblique, Andrew McCarthy, puts the cut-through challenge down to the wave of sharing buttons popping up across the web and services such as Spotify and social news readers.

“Facebook is telling us that more people are going on and sharing product and more people are engaging with their platform,” McCarthy explains. “They are, but that doesn’t mean [posts are] going to get more traction… the volume of content going through Facebook has increased exponentially in the past year.”

The May run of the study found that roughly 4% of people will share as part of the post-purchase process when offered an incentive, based on a sample of over 26,500 buyers who were offered a 15% discount coupon to share their purchase on Facebook. Of these, around 10,500 shared news of their purchase in their own words, driving almost 13,000 clicks back to the sites involved in the study and around 1100 sales.

Naturally, propensity to share was higher for some retail categories than others. The study picked out retailers in the electronics, pet supplies, fabric and fashion categories as examples. While average shares made to earn the discount coupon was 4%, the pet supplies category achieved shares from 10% of buyers.

McCarthy says the key to successful social commerce is finding areas where people have an affinity to share, but also getting the right people to share: “Social commerce is a game of psychology, not a game of technology. We can encourage them to share all we like but if they don’t think the topic defines them as a person then they’re not going to be inclined to share.”

People who have strong affinities around certain interests are both more likely to share and more likely to be influential when sharing about their interest, McCarthy adds. “When these type of people share through Facebook they have a greater conversion rate in driving people back through to the website.”

In order to get people to share their feelings on products, the reward for sharing, which could be a coupon or a social or emotional reward, has to be greater than the cost of openness and the effort required to complete the share.

The study also found that while it may be getting harder to cut through, social commerce performed well is highly valuable, and can drive much higher conversion rates than advertising.

 

Destination NSW launches user-generated campaign

Sydneysiders are being urged to act as ambassadors for their city in a new tourism push from Destination NSW featuring user-generated content.

Consumers will be asked to share images of their favourite Sydney events, places or experiences which will then feature in outdoor executions across Melbourne, Brisbane and Auckland, giving user-generated content a significant role in the campaign.

Dubbed ‘Love Every Second in Sydney’ the campaign aims to encourage Australians and Kiwis to visit Sydney during winter, highlighting the city’s attractions as well winter events including Vivid Sydney, the Sydney Film Festival, the 18th Biennale of Sydney and the Bledisloe Cup.

Chief executive officer of Destination NSW, Sandra Chipchase, says the campaign theme captures what research has shown people want in short breaks and weekends away: exciting, vibrant experiences packed into every second.

“There is a particularly strong presence in Melbourne featuring inspiring Sydney images streaming onto the Young and Jackson billboard adjacent to Federation Square and Flinders Street Station, as well as highly-visible Sydney-branded tram wraps. In Brisbane, enticing images will be projected onto prominent buildings and Sydney advertising will saturate key CBD locations.

The campaign will also include magazine advertising, digital and social media, and draw on images of a couple enjoying 48-hours at Sydney attractions, events and venues.

More than 10 high-profile bloggers will also contribute to the campaign by ‘seeding’ content into various elements of the campaign.

 

AOL turns to online content factory strategy

AOL has released plans to turn the web into an online content ‘factory’.

Tim Armstrong, former Google ad executive and now AOL’s chief, wants the company to create automated content for users to flood the internet.

Armstrong is reportedly planning to combine cheap freelance writers, AOLs algorithms and marketing partnerships to initiate his strategy.

The company has been consistently losing users and revenue, but has been given a new lease on life after being let go by Time Warner.

Armstrong indicates AOL will pay freelancers based on how much its technology predicts marketers will pay to advertise next to their articles or videos – which will range from nothing up front (with a promise to share ad revenues the article generates) to more than $100 per item.

According to Wired magazine, AOL’s challenge lies in its non-editor-driven algorithm system creating high-enough quality content to advertisers who pay a premium to have their ads paired with professional online content.

“The internet is already filled with unresearched and uninformative ‘articles’ intended to draw readers through online searches, but the payoff in that game is thin for everyone except Google,” said Wired reporter Ryan Singel.

Forrester releases video contest report

Forrester has released a report exploring the marketing potential of user-generated video contests.

The research claims 21% of US, and 19% of European, marketers ran online advertising requesting user contribution in the preceding year. The medium’s popularity is slated to increase with nearly double the respondents intending to use the strategy this year. Forrester believes this popularity is being driven by the success of Tourism Queensland’s ‘The Best Job in the World’ and Doritos ‘Crash the Super Bowl’ campaigns.

The report found more than two-thirds of internet users watch online video at least monthly. Of these, 36% watch video posted by other people, 27% watch national news and only 21% watch clips of TV-programs.

Forrester claims youth audiences are best targeted through this medium, with 13% of 18-24 year-olds uploading a video at least monthly compared to just 6% of total internet users.

The report found the cost of execution for these campaigns ranges from US $10,000 to over $250,000.

Logies critiqued by social media users

Viewers of the 2009 Australian Logie Awards appeared online to post their opinions of the event via blogs, Twitter and even uploading skits to YouTube.

According to web measurement company, Nielsen Online, posts related to the Logies were being uploaded almost as soon as the event kicked off, including posts from individuals who weren’t watching the awards ceremony on television, but were keeping informed via Twitter alerts sent to their PCs and mobiles.

One blogger commented, “I don’t normally watch them (the Logies), but thank god for technology. In particular, Twitter. Wil Anderson was doing a running commentary of the night while he was there (via Twitter), and Marc Fennell was doing the same, though from his couch at home. Nevertheless, still very funny. I think the Logies were actually more entertaining via Twitter than they were actually on the TV.”

Nielsen’s BuzzMetrics service, which tracks online social media activity and trends, picked up over 300 posts made relating to the Logies, with the majority of post-event comments taking a negative slant (there were around 10 negative comments to every one positive post).

The Nielsen analysis indicated the majority of comments posted online were about the event’s host, Gretel Killeen looking like a “12-year-old boy”, as well as red-carpet fashion successes and disasters.

“As a medium, social networking platforms are empowering individuals – be they television viewers, consumers, or celebrities – to share their opinions with the masses in real time. For corporations, television executives, brand managers and business leaders, it’s vital to understand that empowerment and learn to work with it,” says Mark Higginson, director of analytics for Nielsen Online.

Rice tops Nielsen buzz charts

The 2008 Beijing Olympics was memorable for lots of reasons, but it may also go down in history as the first games people watched via live streams on the internet.

Using its recently launched BuzzMetrics service, Nielsen Online reports that more Australians are using the net to view live events, read blogs from their favourite sportspeople and have discussions on their favourite athletes of the Games.

“We’ve watched the Beijing Olympics to see which athletes have been the most talked about online,” says Megan Clarken, managing director of Nielsen Online Pacific.

“With consumer generated media on the rise, its been interesting to see online comment associated with these games unfolding alongside the mainstream news channels.”

The report found that Stephanie Rice was the most buzzed-about athlete,
followed by Liesel Jones and Eamon Sullivan to round out the top three.

While more than 50 athletes competing in Olympic events were
profiled by Nielsen Online, the swimmers emerged as the clear
favourites, followed by basketball players and cyclists. Considering
the coverage of Rice’s golden medley double, it’s really not surprising
that she led the popularity charts.

It’s also possible that after stellar performances by pole vaulter
Steve Hooker and Matthew Mitcham on the diving board, the results over
the past week will have shifted further. Go the Green and Gold!

Noodles get pimped

You’ll never look at instant noodles in the same way again. Launching a bold new integrated marketing campaign, Fantastic Noodles is giving cooking noodles an ‘extreme makeover’. Involving a fictitious TV show, Pimp My Kettle, the company will have professional ‘kettle pimpers’ turn kettles from hell, into working pieces of art. The campaign is a parody of the popular MTV show, Pimp My Ride, where a run-down viewer’s car is customised by a team of experts.

Pimp My Kettle has captured the imagination of several celebrities including Harry Kewell, Powderfinger, Jimmy Barnes and Sophie Monk, who have all customised their own kettles which will be auctioned with all proceeds going to Father Chris Riley’s Youth off the Streets charity.

When complete, the works of art will be displayed on www.pimpmykettle.com where TV episodes can be seen and visitors can create their own ‘virtual pimped kettle’. The website has already attracted more than 500 members with more than 50 professional kettle pimpers, including well known artists Ben Frost, Cupco and Jeremyville.

Anouska Thomson, category brand manager, Fantastic Snacks says the campaign was meant to be a bit of fun and something that they’re target market, mainly young guys, would appreciate

“We’ve also pimped-up a van, The Pimpmobile, which is touring Australia handing out free noodles so people can find out firsthand how fantastic our noodles taste”, Ms Thomson says.

She also says that “The Pimpmobile is also giving away Australia’s first 100% biodegradable lanyards and forks as well as quirky car deodorisers that smell of chicken noodles – we are pretty sure this is also an Australian first.” So the next time you’re stuck in traffic, you’ll know where that faint, vaguely delicious smell of chicken noodles is coming from.

The pimped-up kettles will be auctioned on eBay from August 21st and on September 16th at a VIP, invitation-only party at the MTV Gallery. A limited number of tickets are available via a competition on the website.

Virgin mobile embraces UGC for its latest campaign

Virgin Mobile Australia is literally handing over the directorial
reigns with the latest phase of its  All You Can Eat campaign,
allowing customers to visit whathappensnext.com.au
and storyboard their own ending for the All You Can Eat TV adverts.
Virgin Mobile will bring the winning entry to life, and screen it on
Australian TV.

In the latest move by a major brand to embrace user generated
content (UGC) in its marketing, participants choose from one of the
three existing TV advertising scenes to extend with their own
imagination. A tool kit is provided to assist in creation of a
storyboard, on which actions can be added to complete the advertisement
in any way the director chooses. The adverts can be animated; sound
effects chosen and the final cut sent to friends or viewed through
Facebook or MySpace. All submissions are available to view through a
gallery on the site so entrants can check out what competition they’re
up against.

Dave Cain, brand and comms manager for Virgin Mobile Australia
said, In order to put the customer first, you need to listen to what
they want, and you need to understand what you hear. What happens
next? is about providing a format to bring this philosophy to life by
asking our target market what theyd do if they were in the drivers
seat.  Hopefully, the nature of entries we receive will provide a
unique insight into how our advertising is being understood, enabling
us to learn – which is really exciting.

The All You Can Eat campaign – designed to build awareness and
understanding of Virgin Mobiles Free Virgin to Virgin offer –
highlights Virgin Mobile customers ability to call or text each other
for free whenever they like, as often as they like; just like an all
you can eat buffet.

As well as airing the winning ad on TV, other prizes include an all
American style road trip to Cairns (with an obligatory all you can eat
dining experience), as well as Sony Ericsson T250i with a year free
calls and texts on the Virgin Mobile Cap 90 for the winner and runners
up.

The What Happens Next initiative is another example of how far
Virgin Mobile is willing go to put the customer in control of their
advertising. The Russell campaign in 2006 introduced an uninspiring
lad called Russell, who promoted Virgin Mobiles offer by speaking
straight to camera. Virgin Mobile then interrupted the ad to ask the
public how they thought Virgin Mobile should improve their
communications so that their advertising was as exciting as the offers.

David Cain added, Were really excited to see our consumers
brilliant vision and what comes out of this next phase of the All You
Can Eat campaign.